![]() Mycroft Holmes, by Kareem Abdul-Jabbar and Anna Waterhouse It’s Space Sherlock! According to the description of the novella, it is “loosely inspired by A Study in Scarlet, if Holmes were an eccentric scholar, and Watson a grumpy discharged war mindship.” I have not read this new work yet, but I am most eager to. The Tea Master and the Detective by Aliette de Bodard And Gaiman’s story, of a retired Sherlock Holmes traveling to a distant land to investigate an odd colony of bees, is the one that stuck with me afterwards. I was probably looking for inspiration for Lady Sherlock book 2 when I lugged home an enormous volume of Sherlock Holmes stories penned by everyone under the sun. ![]() “The Case of Death and Honey” by Neil Gaiman ![]() But whereas Sherlock’s great weakness became apparent in later seasons-its main characters never changed and never grew, a flaw that after a while, no frantic plot or editing could disguise- Elementary put in solid work in the character arena, forgoing flash for actual, satisfying development. Sherlock had so much dazzle and style that it easily overshadowed Elementary, the CBS series. There was nothing left to do except to make the character of Holmes a woman. Elementary on CBS already made Watson a woman. BBC Sherlock already made Sherlock Holmes thoroughly modern. And it was while watching season 1 of the show, that my until-then rather nebulous desire to perhaps write a Sherlock Holmes retelling someday became a concrete plan. The BBC Sherlock’s version of A Scandal in Bohemia, is, for me, the single best instance of dramatic interpretation of a Sherlock Holmes story. Reading their story, I thought to myself, wow, this is so good, I wonder if I could ever do anything like it. She was the equal of Sherlock Holmes, her eventual partner and husband, in every way. It was the first time that I had come across a woman depicted with such unapologetic genius. Because I didn’t drive enough, I became so impatient for the rest of the story that I got the paper version too! The character of Mary Russell amazed me. In fact, I’m pretty sure my version of the audiobook was on cassettes, which I could only listen to in my car. It was 2006, long before-for me at least-audiobooks were easily carried around on phones, available any time. But the emotions seep through at the edges, hints of yearning, bewilderment, pain, vulnerability. ![]() What is surprising is the intensity my favorite creators have imbued their iterations of Sherlock Holmes, while retaining the latter’s cerebral detachment. I read for emotional impact, so it’s not surprising that I should prefer some of these later versions of Sherlock Holmes. Some of those later writers also managed to imbue their Sherlock Holmes reinterpretations with far greater emotional resonance. And as inventive an author as Arthur Conan Doyle was in his plots and in his most enduring character, he did not dig as deep into the mind and psyche of Sherlock Holmes as later writers did. And the character of Sherlock Holmes remains fascinating, after all these years, for his combination of razor-sharp mind and Bohemian eccentricity.īut as good as the canon stories are, they are still the products of their time. As much as I enjoy the original canon, my favorite versions of Sherlock Holmes are all found in the pastiche.Ĭompared to a lot of other Victorian literature, which can be amazingly ponderous, the original Sherlock Holmes canon is remarkably fast-paced and readable. People often ask me which are my favorite Arthur Conan Doyle stories. My own particular contributions are the Lady Sherlock historical mysteries, which posit that the fictional character adventures of Sherlock Holmes were actually based on the real-life exploits of a woman named Charlotte Holmes. I write Sherlock Holmes pastiche, the collective name for that vast body of reinterpretations from other creators featuring Sherlock Holmes & Co. ![]()
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